Wednesdays with Cinema at MCF / Anti – Tribute to Saint Valentine

Wednesdays with Cinema at MCF / Anti – Tribute to Saint Valentine

DECEMBER 2011 – APRIL 2012
Wednesdays with Cinema at MCF
Screenings with Classic Cinema Masterpieces
In Cooperation with New Star and Velissarios Kossyvakis
Every Wednesday at MCF with the entrance free of charge,
at 21:30
February 2012
Anti – Tribute to Saint Valentine
&
Introduction: Sounds echoing …at MCF
From Wednesday 1/2/2012 to Wednesday 29/2/2012,
at 21:00

Wednesdays with Cinema at MCF
MCF in the line of its overall contribution to the art lovers of the city of Athens with the cooperation, as well as the support of New Star, the independent distribution company for specially selected films and Velissarios Kossyvakis, establishes an informal Cinema Club, every Wednesday at 21:30, with the entrance free of charge, in the Foundation’s high standards Cinema Hall.

Films by acknowledged and new filmmakers, films which shape a well-built cinematic language with evident mark of each director, films which have contributed to the specific image as well as the progress of that cinema which illustrates the diverse, which shapes horizons, entertains and at the same time focuses on humans and situations, relationships and events of wider interest.

ANTARES – A STUDY ABOUT LOVE
BY GOETZ SPIELMANN

THE RED STAR OF PASSION

OFFICIAL NOMINATION OF AUSTRIA FOR THE OSCAR OF BEST FOREIGN LANGUAGE FILM

Participated in the Festivals of Locarno, Toronto, Vancouver, Busan, Mannheim, Edinburgh and Thessaloniki

A block of residences at the suburbs of the big city, usual, we meet this image everywhere, multistorey buildings, tons of concrete, just a bit of vegetation once in a while just for decoration. Graffiti is covering the walls, door phones, round staircases, thousand of identical windows.

The lives of three couples that live in the same standard flats are tangled the one with the other in three – day time period. And they will never become again as they were before. Three stories about passion, one story about death.

Eve, near 40 years old, has everything under control, from the daily routine in her job to the dealing with her role as a mother and wife at home. Someday she meets Thomas, an old colleague and occasional lover. Some passionate nights go by and Thomas id heading to the airport, carrying some very revealing photographs of Eve. The moments of the complete giving that they experienced together will shake everything in their lives. Sonia, the cashier of the local grocery store, intolerably envies Marcos, her husband. She has every right reason to feel this way. A baby would change everything. But how can you ensure love when using a lie? Some time ago Nicole separated from Alex, a realtor, and at her new life as a divorced mother there is no room left for him. The way that Alex is using his power to change the facts is standard: Arrogance succeeds the indifference, hate causes violence. Lives that cross in critical times, skillfully tangled in a film about the obsessions of love, the search for contact, the hope of happiness. A film about fear, loneliness, courage. At the constellation of Scorpio, 500 light years away, the double star ANTARES is radiant red. Its unique luminance reveals simultaneously its prescribed destiny. In the near future will explode like a super nova.

SOLA MEDIA presents a LOTUS FILM, TEAM FILM production
a GOETZ SPIELMAN’S film ANTARES

Featuring: PETRA MORZE, ANDREAS PATTON, HARY PRINZ, SUSANNE WUEST, DENNIS CUBIC, MARTINA ZINNER, ANDREAS KIENDL
Scriptwriter & director: GOETZ SPIELMAN Cinematographer MARTIN GSCHLACHT
Sound: EKKEHART BAUMUNG
Production design: KATHARINA WOPPERMANN
Costume design: THOMAS OLAH
Editor: KARINA RESSLER
Music: WALTER W. CIKAN
Production manager: GILBERT PETUTSCHNIG
Producers: ERICH LACKNER WULF FLEMMING

Shirley Valentine by Willy Russell

The Municipal and Regional Theatre of Agrinio, after concluding the performances at Agrinio, will present in Athens its main, for the 2011-2012 winter season, theatrical production, the play “Shirley Valentine”, by Willy Russell.

It is a sweet and sour monologue that documents the course and development of a housewife, disappointed from the 20 years of “sterile” married life and at the age of 48 she rebels and “runs away” from home, seeking her old self. It is a play of mastery for the actress that performs, and who passes from reminiscence to anger and from indignation to decisions for radical change of life.

Shirley Valentine’s revolution does not last long, but it is sufficient to re-determine herself and her substantial relationship with her old environment and that of her husband’s. As with Educating Rita, again by the same writer, the play that the Municipal and Regional Theatre of Agrinio staged two years ago with absolute success, it is hoped that “Shirley Valentine” will have the same effect on the audience.

Shirley Valentine is performed by the experienced and highly regarded actress Christina Theodoropoulou. It should also be noted that this is the third time in Greece, after Aliki Vouyouklaki and Mirka Papakonstantinou, that this play is staged.

Bad Guy
The most edgy creation by the great Kim Ki-duk
A sharp view on the dark side of the Korean miracle as well as the human soul
Official selection of the Berlin Film Festival

Synopsis
Han-ki member of a gang of gangsters in the red light district meets on the street the girl Sun-hwa, college mate of his. He is attracted by the girl instantly and stares on her passionately. She treats him with a cold attitude and an uninterested expression. Livid by anger, he forces her to kiss him and she violently pushes him back. Han-ki plans and succeeds to make her a prostitute. He keeps her confined in a room and watches her every night through a secret window. Day by day she wilts and the man suffers. Between love and hate, sympathy and despair, Han-ki and Sun-hwa become one.

The Bad Guy summarizes the theory and the constant pursuit of Ki-duk, with the outcast of the financial miracle by the Tigers of Asia. Ki-duk’s heroes as always “wastrels” of night’s streets, with their own moral values who seek for a better lifer, always within the frames set by society.

The visual result by Ki-duk with clear references to artworks of Egon Schiele, the cynical, almost bald treat of his heroes’ passions, attribute to the film a bizarre silent hardness and introduce us to the Ki-duk’s perception of love as well as the weakness of human beings to change their destiny, as this is defined by their determined role in the pot of the capitalistic vast city.

Director: Kim Ki-duk
Cast: Jae-hyeon Jo, Won Seo, Yun-tae Kim, Duek-mun Choi, Yoon-young Choi, Yoo-jin Shin, Jung-young Kim, Gung-Min Nam
Producers: Seung-beom Kim, Seung-jae Lee
Original Music: Ho-jun Park
Cinematography: Cheol-hyeon Hwang
Editing: Seong-won Hang
Assistant Director: Chang-ho Cho

The girl of your dreams

Voted by the Cinemania magazine readers as one of the 10 best Spanish films of all times

It’s the year of 1938 and the Spanish civil war is in a rage. The country’s cinema industry has also been divided in two camps, with the studios of Madrid competing those of Barcelona. Within the context of Franco‘s cooperation with Hitler, the Germans invite a group of film makers in Berlin, to shoot the popular social drama “The girl of your dreams” in two screen versions, one in Spanish and one in German. Glad to leave the war behind them, the Spanish with the director Blas Fontiveros at the head, start the shootings in Hitler’s Berlin. But soon they find out that they came from one war to the other and that Propaganda Minister Goebels’ hospitality, has more to do with the charms of the protagonist Macarena Granada. On the other hand the only supernumeraries found looking alike to Andalusians are gypsies in a concentration camp. The doubt starts getting fixed in them, while they think that probably life itself is more significant than just a movie.

Cast:
Macarena Granada Penelope Cruz
Blas Fontiveros Antonio Resines
Lucia Gandia Neus Asensi
Marco Bonilla Jesus Bonilla
Trini Morenos Loles Leon
Julián Torralba Jorge Sanz
Rosa Rosales Rosa Maria Sarda
Castillo Santiago Segura
Václav Passer Mirosláv Táborský
Joseph Goebbels Johannes Silberschneider
Leo Karel Dobry
Heinrich von Wermelskirch Goetz Otto
Ambassador’s wife Maria Barranco
Ambassador Juan Luis Galiardo
Hippel Heinz Rilling
Magda Goebbels Hanna Schygulla

DER HIMMEL UBER BERLIN – WINGS OF DESIRE
Directed by Wim Wenders

The heavenly tribute of Wenders to life, love, Berlin, direction, angels and poetry.
Desson Howe- Washington Post


An atmospheric, lyric, elegiac, deep, haunted, poetic and noble black ‘n white dream.

   It is better to live on Earth and in love,
 Than living alone on the skies…

WINGS OF LOVE is not a movie. It is a poem, a painting, a song, an ode to life, peace, love, optimism.

Award for Best Director at the Festival De Cannes 1987

Synopsis
In divided by the Wall Berlin, angels wander around the streets listening to the thoughts of people. One of them falls in love with an acrobat from a circus. His feelings about her are so intense that he asks to lose the privilege of immortality and become a mortal. He chooses to lose immortality and eternity and “be oxidized into the breath of people”, stop watching (in black ‘n white point of vies) life and live like a human. The angel Damiel will “fall” with his own will, to the restrictions of time, sickness, pain and death, because this is how he will be able to touch, feel, live his love about Marion, feel all these simple and daily things that Peter Falk summarizes in front of a canteen during dawn: To smoke, and have coffee- and if you do it together, it’s fantastic. To draw, and when your hands are cold you rub them together…

Direction: Wim Wenders
Script: Wim Wenders, Richard Reitinger, Peter Handke
Stars: Bruno Ganz, Solveig Dommartin, Otto Sander, Curt Bois,
Peter Falk

A SNAKE OF JUNE

Production Credits:
Director: Shin’ya Tsukamoto
Writer: Shin’ya Tsukamoto
Cast: Asuka Kurosawa, Yûji Kôtari & Shin’ya Tsukamoto

SUMMARY
It is the rain season in Japan and the boring married life of Rinco (featuring by the attractive actress Asuka Kurosawa) that her job is to offer psychological support over the phone, is irreparably disturbed. She receives a package with revealing photos from her personal moments and a stranger is blackmailing her. Before she even realises what is happening, she is found in the wet streets of the anonymous big city, blindly obeying to the blackmailer’s perverse orders, who is directing her through a mobile phone and obligates her to a painful dark journey of sexual self awareness.

The film is taken in black and white and is printed in colour; having this way a bright blue tido (the director describes it as black and blue, an expression that also refers to the bruises that are caused to the body by hits). That is what happened to Tetsuo too, a movie about the fear and the horror of a body transforms to a metal beast, and to Bullet Ballet too, the love story between a suicidal teenager and a middle-aged man.

A Snake of June is a movie about sex. The human body is subjected under the laws that determine the living organisms, grows and deteriorates. The awakening of the flesh, against the decline, is the awakening of life. And according to Tsukamoto, this awakening is caused by an external violent stimulation. Tsukamoto, for one more time after Tetsuo focuses on perversions (as on pleasures too) of the flesh. It is clear that the permanent obsessions of the director (the transformation of the bodies, the bursts of violence, the meanings of the bodies and the city) are always present.

The characters are a seemingly happy couple. Both are capable, successful, live a wonderful life in the big city. Rinco takes care of her husband in a mother way, but she desperately misses sex. Sigechiko sickens with his own body fluids. Deep in the heart of both, an abysmal void is lurking.

A Snake of June is the story of the rebirth of a couple. Tsukamoto features (what else?) the character of the weird, sick blackmailer of Rinco. The director Shin’ya offers us one more perverse terrifying cyberpunk symphony, which takes place to the underground tunnels and the open squares of a wet big city, where the worst fears abut also the strongest desires of Rinco take shape.

Awards/ Distinctions of the film A Snake of June:

• Venice Film Festival
Special Jury Prize
Kinematrix Award

• Sitges International Fantastic Film Festival, Spain
Award for Best Art Direction

• Fantasporto Festival, Portugal
Award for Best Female Leding Role (Asuka Kurosawa)
Special Award of Jury